![]() ![]() The low end on this particular patch is astounding, and added a much needed color for my production toolkit. ![]() Spectrasonics’ take on the Rhodes Piano Bass (an instrument I didn’t even know existed) was a fantastic addition that had me pleasantly surprised. Discovering new instruments and textures this way is a common occurrence while using Keyscape. The “Duo” patches they created turned out to be a phenomenal resource of inspiration and, if you’re an Omnisphere 2 user, you can easily create your own by layering any two models together. There’s some really clever programming going on in these patches, and I was amazed by the level of Spectrasonics’ attention to detail in tiny sonic features, such as the sustain pedal triggering the quiet sound of a player putting their foot on the pedal of an actual piano. I was happy to finally find a software Clavinet that doesn’t sound like obnoxious duck quacking. ![]() I found the Rhodes and Wurlitzer patches here to all be incredibly authentic sounding and sonically inspiring, with some very unique character and flourishes. ![]()
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